El Palacio

The Magazine of the Museum of New Mexico

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Jean Toomer’s Search for Identity in Taos

Jean Toomer, Taos, New Mexico, circa 1935. Courtesy Jill Quasha. Copyright the Estate of Marjorie Content.

Grief’s Outline, Memory’s Shape

Bobby Qalutaksraq Brower (Iñupiaq, Utqiag˙vik), Melissa Ahnoorik Ahlooruk Ingersoll (Iñupiaq, Nome), Cassandra Tikasuk Johnson (Unalakleet), Jackie Qataliña Schaeffer (Iñupiaq, Kotzebue), Beverly Tuck (Unangaxˆ, St. Paul Island), Healing Stitches, 2021. Cotton and polyester. Sarah Ayaqi Whalen-Lunn (Iñupiaq), Solidarity, No More Stolen Sisters, and Black Lives Matter, 2020. Digital illustrations on aluminum. Photograph by Blair Clark. Courtesy of Museum of International Folk Art.

The Sound of Community

StormMiguel Florez. Photograph by Gordon Garcia. · Women reunite and reminisce about their community and being out in high school in the 1970s and 1980s. Production still from The Whistle, 2019. Courtesy of StormMiguel Florez. · Collage of Albuquerque lesbian youth in the 1980s. The Whistle, 2019. Courtesy of StormMiguel Florez. · Director of Photographgraphy, Annalise Ophelian; Director, StormMiguel Florez; Participant, Michelle Martinez. The Whistle, 2019. Photograph by Jai James. · i like girls. Production still from The Whistle, 2019. Courtesy of StormMiguel Florez.

Love Pa’ Mi Gente Shine Through Me

Unidentified Artist, Chicano Beauty from the Barrio, date unknown. 15 1/2 × 16 in. National Hispanic Cultural Center Art Museum Permanent Collection, 2019.30.130. Photo by Addison Doty.

Spring 2024

Jean Toomer, Taos, New Mexico, circa 1935. Courtesy Jill Quasha. Copyright the Estate of Marjorie Content.

Jean Toomer’s Search for Identity in Taos

By Darryl Lorenzo Wellington Mysterious, mercurial, hard-to-pin down sociologically or racially—and even described as being unbearably [...]

Rebellious
Look Long
Love Pa’ Mi Gente Shine Through Me
Tinieblas

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Copyright © 2024 El Palacio Magazine. Published by the New Mexico Department of Cultural Affairs.