"SUPPOSE ONE COULD CATCH THEM BEFORE they become ‘works of art?’ Catch them hot & sudden as they rise in the mind.” In her diary, Virginia Woolf examined the stuff of thought, its shape and contours as well as its inherent slipperiness. While she was largely concerned with literature, her questions apply just as well to the visual arts. What does an idea look like before it is labored over, crafted, and shaped into a finished piece? [...]
What is a need? Lama founder Barbara Durkee (now Asha Greer), speaking about the 1967 founding of Lama Commune just north of Taos, explains that she knew there was a need for water, and hot water at that; here in New Mexico there is always a need for water. Her needs did not extend much beyond that. Experiencing a back-tothe land lifestyle on the side of a mountain was the real need she was attempting to fulfill. The pursuit of this desire was one of the many products of the rise of the 1960s and 1960s counterculture in the American Southwest. [...]
In 1865, New York Tribune editor Horace Greeley famously urged, “Go West, young man, and grow up with the country.” The imperative suggested economic opportunity, and indeed boundless opportunities greeted the young men and women who struck out on wagon trains and horseback to make their fortunes in the West. But the young, restless, and unemployed also saw the opportunity as a chance to reinvent themselves by tossing off Eastern conventions. [...]
As I enter the Palace of the Governors, I often stop at the doorway on the left. It opens onto an austere room—the Office of the Governors—where locally made wooden chairs sit around a table, representing long gone administrations: Spanish, Mexican, Territorial. [...]
Vietnam, the televised war, the war that divided us, the war we did not win. Some of us unavoidably served in it, others protested it, many young men died. There is no shortage of photographs documenting the horrors of this “police action.” Military photographers and the free press took millions of photographs of the Vietnam conflict between 1962 and 1975. [...]
I have watched as visitors to the Museum of International Folk Art stop in their tracks before a wall of cut-paper silhouettes, intrigued and perplexed. Perhaps they are recalling the snowflakes they made in grade school by folding and snipping paper in simple patterns. They recognize that this is something else, not only in the complexity of design, but also in the content of the imagery. [...]
After a four-year hiatus, our special open-storage gallery, Lloyd’s Treasure Chest, is reopening with a fresh face. Visitors can take the Vehicle to the Vault (formerly known as the elevator) to the new Treasure Chest, a place for visitors to explore, interact, and create folk art. [...]