2017

Picturing the Future

Cultivating, weaving, and dyeing cotton were regular parts of Mo Aiqun’s childhood. Born in 1958 in the Zhuang village of Sanbao (Tian’e County, Guangxi), she began learning to sew and embroider when she was thirteen. Like many young women in her community, she arrived at her new husband’s home with quilts she made for her dowry. [...]

In It Together

Becoming a conservator involves education, tradition...and channeling Macgyver. [...]

MAKING HISTORY

Cutting-edge, technology-driven operas may not seem like an immediate fit with the New Mexico History Museum, but if the goal is to explore emerging technology through the lens of history, this partnership is the solution. [...]

Negotiate, Navigate, Innovate

The exhibition Negotiate, Navigate, Innovate: Strategies Folk Artists Use in the Global Marketplace opens June 9 in the Museum of International Folk Art’s Gallery of Conscience. It explores the ways in which folk artists from around the world and in New Mexico work within the global market setting. [...]

Lloyd’s Treasure Chest

After a four-year hiatus, our special open-storage gallery, Lloyd’s Treasure Chest, is reopening with a fresh face. Visitors can take the Vehicle to the Vault (formerly known as the elevator) to the new Treasure Chest, a place for visitors to explore, interact, and create folk art. [...]

Flex Time

BY CANDACE WALSH I can stand outside of the Udall Building, throw a rock, and hit Old Santa Fe Trail (and [...]

Defining Moments

In 1919, a Native art show at Santa Fe’s Museum of Art just happened to revolutionize American modernism. [...]

A Certain Point of View

I’ve noticed that we don’t witness anything firsthand any longer. Our first reaction to anything that happens in real life is to record it, post it, snap it, share it. [...]

Misunderstood, Maligned, and Divine

Some people consider tramp art one of the homeliest dust-gatherers that the human mind and hand have concocted,” Michael Cornish noted in a 1993 essay titled “Tramp Art: A Personal Appreciation.” [...]
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