As I enter the Palace of the Governors, I often stop at the doorway on the left. It opens onto an austere room—the Office of the Governors—where locally made wooden chairs sit around a table, representing long gone administrations: Spanish, Mexican, Territorial. [...]
Cultivating, weaving, and dyeing cotton were regular parts of Mo Aiqun’s childhood. Born in 1958 in the Zhuang village of Sanbao (Tian’e County, Guangxi), she began learning to sew and embroider when she was thirteen. Like many young women in her community, she arrived at her new husband’s home with quilts she made for her dowry. [...]
I have watched as visitors to the Museum of International Folk Art stop in their tracks before a wall of cut-paper silhouettes, intrigued and perplexed. Perhaps they are recalling the snowflakes they made in grade school by folding and snipping paper in simple patterns. They recognize that this is something else, not only in the complexity of design, but also in the content of the imagery. [...]