Bryan Johnson-French carefully brings a nineteenth-century French carousel from the Circus set to the studio to be photographed. “One of the carousel chairs is faced in the wrong direction. We think Alexander Girard did this intentionally. That was just his sense of humor. The same is true of some of the processions—everyone is walking in one direction except for one figure that is faced the wrong way.” Naturally, Johnson-French left the nonconformist carousel rider as is.