2018
The Captive
BY PAUL ANDREW HUTTON The Mexican soldiers came late in the Spring of 1855. The people saw them in the [...]
On display in Santa Fe (Part I)
BY DAVID ROHR Sylvanus Morley was starting to worry. It was November 1912—only days away from the public [...]
Western Apacheria
BY NEPHI CRAIG LAND Landscape is destiny. As Indigenous peoples, we represent our landscapes. Basically, [...]
The Right to Remember
BY EMILY WITHNALL In 1990, at the height of Peru’s war, Wari Zárate and other artists in the Andes began [...]
The Center Will Not Hold
BY JACQUELINE KEELER We live in a world largely constructed by the wants and dreams of white men. When we [...]
Santa Fe’s First Exhibition
BY DAVID ROHR Before there were any museums in Santa Fe, civic boosters presented what was likely the very [...]
Love is a Verb
BY LES DALY In the year 1968, America was in turmoil. It was a time of war, assassinations, riots, and [...]
The People’s Art
BY CHARLENE CERNY A Gathering of Voices: Folk Art from the Judith Espinar and Tom Dillenberg Collection, [...]
Sacrifice Lost . . . and Found
BY DEVORAH ROMANEK Only a few years before the United States joined the Great War as it was raging in Europe, [...]
Against Minimalism
BY CANDACE WALSH Minimalism has enjoyed an unquestioned mandate for years. Clean out your closet! Banish [...]
Semiotic Sovereignty
BY MARLA REDCORN-MILLER The following interview with Mateo Romero (Cochiti) describes a more abstract form of [...]
Dance of the Monarch
BY EMILY WITHNALL Thomas Haukaas (Lakota) beads like a painter. At first glance, a viewer might simply see [...]
Of Pig-Dogs and Plethoras
BY CANDACE WALSH Jack Loeffler’s feature, “The Practice of Aural History” describes his epic, lifelong [...]
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