Back to the Future
BY KATE NELSON For Mary Kershaw, all it took was one sight of brick walls soaring up to an industrial-style [...]
2018
Chief of Hearts
BY MARCUS AMERMAN I create many things in beadwork, but of all the things I bead, I appreciate [...]
Of Pig-Dogs and Plethoras
BY CANDACE WALSH Jack Loeffler’s feature, “The Practice of Aural History” describes his epic, lifelong [...]
Presents Rich with Provenance
BY NICOLASA CHÁVEZ The Museum of International Folk Art (MOIFA) regularly displays recently acquired items [...]
Photo Synthesis
BY HANNAH ABELBECK One hundred and fifty years ago, thousands of Navajo people undertook a second arduous [...]
Semiotic Sovereignty
BY MARLA REDCORN-MILLER The following interview with Mateo Romero (Cochiti) describes a more abstract form of [...]
Neon Signs of Life
BY AMY GROLEAU Gráfica Popular Limeña (the folk graphic tradition of Lima) was born in the streets. It has [...]
The Science behind Frederick Hammersley’s Modern Art
BY JOSEPH TRAUGOTT I met Frederick Hammersley in the early 1980s. We bonded quickly around our shared [...]
A New Lease on Light
BY MICHELLE GALLAGER ROBERTS When the New Mexico Museum of Art opened its doors as a purpose-built art [...]
Straight Back to Our Own Country
BY HAMPTON SIDES This story accompanies Esther G. Belin’s poem, “The Petition(-ing, er) of [...]
Spheres of Influence
BY MARSHA C. BOL Extraordinary how a small glass bead from the Italian island of Murano or the mountains of [...]
The Petition(-ing, er) of Peace(-ful)(mak -ing, -er)
BY ESTHER G. BELIN This poem accompanies Hampton Sides’s story, “Straight Back to Our Own [...]
Unnatural Resources
BY AMY GROLEAU AND MARLA REDCORN-MILLER As artists, Aymar Ccopacatty (Aymara) and Nora Naranjo Morse (Santa [...]
Project Indigene in Action
In the spring of 2018, eight dynamic Santa Fe cultural institutions joined forces in a collaboration called [...]
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