2018

Semiotic Sovereignty

BY MARLA REDCORN-MILLER The following interview with Mateo Romero (Cochiti) describes a more abstract form of [...]

Dance of the Monarch

BY EMILY WITHNALL Thomas Haukaas (Lakota) beads like a painter. At first glance, a viewer might simply see [...]

More Than Words

BY PETER BG SHOEMAKER Ten years ago, Shirley Klinghoffer launched her seminal Santa Fe-based Love Armor [...]

Back to the Future

BY KATE NELSON For Mary Kershaw, all it took was one sight of brick walls soaring up to an industrial-style [...]

Chief of Hearts

BY MARCUS AMERMAN    I create many things in beadwork, but of all the things I bead, I appreciate [...]

Crash Report

BY CANDACE WALSH One of my least favorite jobs was working as a ghostwriter for a website’s figurehead. The [...]

Before Photocopiers

BY PENELOPE HUNTER-STIEBEL I went to visit Tom Leech, curator and director of the Palace Press, in hopes of [...]

Family Affair

BY ROSS ALTSHULER How do skill, talent, and creativity run through New Mexico’s Native families of artists? [...]

Building a Photograph

BY KATHERINE WARE Photographer Patrick Nagatani (1945–2017) didn’t just take pictures, he made pictures. [...]

Lives and Half-lives

BY MELANIE LABORWIT The Santa Fe Opera’s sense of place is extraordinary; operagoers watch world-class [...]

By the Book

BY JAMES GLISSON After nearly twenty years in Los Angeles, Frederick Hammersley (1919–2009) moved to [...]
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