Flowing From Our Wildest Imaginations
BY WILLY CARLETON · PHOTOGRAPHS BY SHERMAN HOGUE/BLMNM My legs dangle over the small bridge as I watch the [...]
Culture
More Than Words
BY PETER BG SHOEMAKER Ten years ago, Shirley Klinghoffer launched her seminal Santa Fe-based Love Armor [...]
The Practice of Aural History
BY JACK LOEFFLER Imagine yourself camped in the Kuakatch Wash in an isolated area of the Sonoran Desert. It [...]
Back to the Future
BY KATE NELSON For Mary Kershaw, all it took was one sight of brick walls soaring up to an industrial-style [...]
Chief of Hearts
BY MARCUS AMERMAN I create many things in beadwork, but of all the things I bead, I appreciate [...]
Photo Synthesis
BY HANNAH ABELBECK One hundred and fifty years ago, thousands of Navajo people undertook a second arduous [...]
Semiotic Sovereignty
BY MARLA REDCORN-MILLER The following interview with Mateo Romero (Cochiti) describes a more abstract form of [...]
Dance of the Monarch
BY EMILY WITHNALL Thomas Haukaas (Lakota) beads like a painter. At first glance, a viewer might simply see [...]
Neon Signs of Life
BY AMY GROLEAU Gráfica Popular Limeña (the folk graphic tradition of Lima) was born in the streets. It has [...]
A New Lease on Light
BY MICHELLE GALLAGER ROBERTS When the New Mexico Museum of Art opened its doors as a purpose-built art [...]
Spheres of Influence
BY MARSHA C. BOL Extraordinary how a small glass bead from the Italian island of Murano or the mountains of [...]
Family Affair
BY ROSS ALTSHULER How do skill, talent, and creativity run through New Mexico’s Native families of artists? [...]
The Petition(-ing, er) of Peace(-ful)(mak -ing, -er)
BY ESTHER G. BELIN This poem accompanies Hampton Sides’s story, “Straight Back to Our Own [...]
Unnatural Resources
BY AMY GROLEAU AND MARLA REDCORN-MILLER As artists, Aymar Ccopacatty (Aymara) and Nora Naranjo Morse (Santa [...]
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